I just want to say again that it was a lot of fun to be a part of this whole process. It was great to read so much work from both adults and students, and I feel that I’ve learned some things about what I liked to see and what didn’t work for me as a reader.
I’ve mentioned it before and I’ll mention it again. Many of the poems that didn’t work for me were too abstract and weren’t successful in creating the imagery intended in the piece. Though these are good things to do in Prose, I feel that concrete details are essential in poetry, as well. Poetry has much less to work with than prose does, so everything must count towards the whole. Original imagery and avoiding all cliches really helps in a piece of work, too. Cliches don’t evoke the desired reaction because they are so ubiquitous that they really mean nothing. I noticed cliches were hard for the younger writers to avoid. I experienced this, too. I used to write the way I thought a writer should sound, and now I don’t worry about that and just try to tell a story. I believe many of the students that submitted for New Voices were concerned with appearing formal and writing exactly like some of the writers they like. Learning from good writing is a good thing, but I don’t think many students realize that everything in a story contributes to the whole piece, and coherence is essential.
I now understand in writing that the first few paragraphs or lines are important. Many of the people on the board explained that they could usually tell right away whether or not a piece of writing was going to work for them. I will plan to have a good “hook” in the story, and begin with something interesting right away, and not put in too much back- story. I now understand that a reader is more intelligent than I may have previously given, and starting in the middle of the action is a good thing. I now know in publishing that it is important to follow the submission directions of the publisher, and make the first bit of writing count.